The book looked decidedly amateurish but went on to be snapped up by Penguin, who took the then extremely unusual step of publishing it under both the Puffin and Penguin imprints in other words, for children and adults.

What many people may be unaware of is that Watership Down was first published, at the end of 1972, by one-man publishing outfit Rex Collings, well before the days of Kickstarter, print on demand or digital downloads.

Since its publication, we’ve had William Horwood’s moles in Duncton Wood, and attempts at similar approaches with deer and crows and the like, but none has achieved quite what Adams did with rabbits. There is something unique about the novel, so multi-layered and complete. But those of us who read and loved Adams’s original book will be transported to quite a different place: a world of rabbits with their own traditions, customs and legends, but not outwardly anthropomorphic (no waistcoats, pocket watches or two-legged walking here). To others, images of the somewhat lacklustre animated 1978 film adaptation – for which Bright Eyes was the theme tune – may come to mind. No matter what he did before or since, he will forever be associated with Watership Down.įor some, Watership Down will trigger the earworm Bright Eyes, as written and composed by Mike Batt (of Wombles fame) and sung by Art Garfunkel. When someone once told Joseph Heller, the author of Catch-22, that he hadn’t written anything as good since, Heller famously replied: “Who has?” Similarly, if JK Rowling were to appear on stage riding a dragon that spewed molten gold and breathed fire, the majority of the audience would likely mutter: “Not as good as Harry Potter.” And so to Richard Adams, who died on Christmas Eve.

Watership book